- LIGHTROOM 6 VS OLYMPUS VIEWER 3 FOR RAW EM1 MARK II FILES UPGRADE
- LIGHTROOM 6 VS OLYMPUS VIEWER 3 FOR RAW EM1 MARK II FILES FULL
Bottom lineīuy the Olympus OM-D E-M1 Mark III if you need a great travel camera. The added stabilization and extra features of the Mark III are likely worth the extra cost to some, but many photographers may be just as well putting that money toward a lens and picking up a Mark II.
LIGHTROOM 6 VS OLYMPUS VIEWER 3 FOR RAW EM1 MARK II FILES UPGRADE
The biggest reason to upgrade is the improved image stabilization for handheld long exposures and Handheld High Res mode.Īs the older camera, the Mark II offers a better value and currently sits about $400 cheaper. Image quality will be the same, and so will burst speed and much of the user experience. However, there may not be enough reasons for Mark II owners to upgrade. It’s ideal for travel, since you don’t necessarily need to carry a tripod or ND filters with you.
Unsurprisingly, the newer E-M1 Mark III is the better camera, with a more robust stabilization system, updated processor, handheld High Res Shot, and a few other extras. (If you’re looking for a more compact camera, check out the Olympus OM-D E-M5 Mark III, which is essentially an E-M1 Mark II in a smaller body.) Which is right for you? The Mark II is a bit lighter, but only by a few grams. The Mark III also has Olympus’ most robust shutter to date, rated for 400,000 actuations. The first is the inclusion of an autofocus joystick, which is a much more ergonomic way to adjust the focus point. The Mark III has two main physical differences. They share the same electronic viewfinder (EVF) with a 2.36-million-dot resolution (something we wish had been upgraded on the Mark III, as other cameras in this price range have used higher-resolution EVFs for some time). Both have a similar look and feel, with excellent weather-sealing. The E-M1 Mark II and Mark III could be fraternal twins. The Mark III’s main advantage is that it allows for an external monitor via the HDMI port, although, like OM-Log, this is a niche feature that won’t affect casual video shooters. Videoīoth cameras can shoot good 4K video, and both offer a low-contrast logarithmic tone curved (OM-Log) for preserving more dynamic range if you don’t mind doing a little color correction in post (the Mark II needs to be upgraded to firmware version 3 to unlock this feature). However, you don’t get the Mark III’s built-in ND filters. It’s 6.5 stops of stabilization still compares favorably to the best IBIS systems from other brands. It’s so good, in fact, that you can shoot seconds-long exposures without a tripod.Īdd to this the Mark III’s built-in neutral density (ND) filters, and you can capture handheld long exposures even in the middle of the day. Even with other lenses, it’s good for 7 stops - still best in class compared to any other camera brand. With the right lens, the Mark III can achieve 7.5 stops of stabilization.
LIGHTROOM 6 VS OLYMPUS VIEWER 3 FOR RAW EM1 MARK II FILES FULL
However, it broke that barrier with the E-M1 Mark III by a full stop. Olympus previously said that 6.5 stops was a theoretical limit of gyro-based image stabilization due to motion from the rotation of the earth.
At 15 frames per second, its larger image buffer takes 100 RAW photos to fill, while the Mark II makes do with a still-respectable 84. However, the Mark III does come out ahead when it comes to how many photos it can shoot in a burst. Switch to the electronic shutter, however, and they can reach an impressive 60 fps. It also introduces an entirely new AF mode, called Starry Sky AF, that allows autofocus to be used for astrophotography, or any setting where you want to focus on pinpoints of light, such as a night cityscape.īoth cameras have identical speed specifications, shooting 10 frames per second with continuous autofocus or 15 fps with focus locked when using the mechanical shutter. The E-M1 Mark II and Mark III have the same 121-point autofocus system, but the Mark III uses an improved algorithm for better performance. The Mark II also has a high-res mode, but it requires a tripod. That allows for a lot of detail from the otherwise modest sensor. This feature stitches several photos together into a 50-megapixel shot, more than doubling resolution. The sensor may be the same, but the E-M1 Mark III gains Olympus’ latest TruePic IX processor, which is partly responsible for the new Handheld High Res mode. Canon EOS M6 Mark II: Nikon’s newest takes on Canon’s champģ2-megapixel Canon EOS 90D and M6 Mark II set new bar for APS-C sensors Nikon D780 vs Canon EOS 6D Mark II: The battle of budget full-frame DSLRs
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